There are obviously many reasons for people to ‘keep time’, as there are for Urša. Some are rooted in personal experiences that shake the fundamentals of life and the sense of ‘home’, others are based on a curiosity that is more reflective in nature. The need for time-keeping in Urša’s work can easily be mistaken for nostalgia. But where a nostalgic person looks back at the past with warm feelings or with a tinge of sadness for days gone by, Urša is trying to understand this nostalgia, to question it at the root, and even to test it against the here and now. This approach might be called ironic, because it could undermine the very idea of nostalgia, but that is never the goal in itself. Time, memory and the creation of one’s identity from these highly suggestive and ambiguous bits of history that we find in photo albums, video footage and other ‘documentation’ of our past-selves can hardly be called ‘factual’, so a bit of irony is not out of place here.

Excerpt from the introduction text by Paul Segers; Timekeepers publication, 2025